"Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei" by Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1985. Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 14 out of 27 in Bach, J.S.: Mass In B Minor BWV 232 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei by Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | ||
Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM |
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