Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI
Johann Sebastian Bach, Aapo Häkkinen
Bach: Die Kunst der Fuge
8:42 April 5, 2024
BPM
107
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI - Johann Sebastian Bach, Aapo Häkkinen Information

Acousticness
79%
Danceability
28%
Energy
33%
Instrumentalness
37%
Liveness
5%
Loudness
63%
Speechiness
3%
Valence
48%
Popularity
Loudness
-22.033 dB

Summary

Johann Sebastian Bach, Aapo Häkkinen made "Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI" available on April 5, 2024. Since Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 17 in Bach: Die Kunst der Fuge by Johann Sebastian Bach, Aapo Häkkinen. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. In terms of popularity, Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI BPM

The tempo marking of Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI by Johann Sebastian Bach, Aapo Häkkinen is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllWinterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllA Major011B119 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) by Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian BachConcerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro)Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian BachE Minor19A81 BPM
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai by Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the FieldsBach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assaiJohann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the FieldsF Major27B97 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausCanon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausD Major110B83 BPM
Gavotte - Arr. for Cello and Piano by Jean-Baptiste Lully, Mischa Maisky, Pavel GililovGavotte - Arr. for Cello and PianoJean-Baptiste Lully, Mischa Maisky, Pavel GililovD Minor07A85 BPM
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro by Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de ParisBach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. AllegroJohann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de ParisC Major28B83 BPM
Trois Romances sans paroles, Op. 17: 3. Andante moderato by Gabriel Fauré, Kun-Woo PaikTrois Romances sans paroles, Op. 17: 3. Andante moderatoGabriel Fauré, Kun-Woo PaikA♭ Major04B65 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) by Sergei Rachmaninoff, Sergei Babayan12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)Sergei Rachmaninoff, Sergei BabayanA♭ Major04B78 BPM
ISRC
FINDE2400019
Label
L-M Records/RCA Records

Section: 0.7185957431793213

End: 0.723128080368042