Antonio Vivaldi, Pina Carmirelli, Anna Maria Cotogni, Pasquale Pellegrino, Claudio Buccarella, Francesco Strano, I Musici made "12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 7 in F major for 4 Violins, RV 567: 4. Adagio" available on January 1, 1984. With 12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 7 in F major for 4 Violins, RV 567: 4. Adagio being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: L'estro armonico, Op. 3 by Antonio Vivaldi, I Musici. The song's track number on the album is #24 out of 40 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, 12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 7 in F major for 4 Violins, RV 567: 4. Adagio is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since 12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 7 in F major for 4 Violins, RV 567: 4. Adagio by Antonio Vivaldi, Pina Carmirelli, Anna Maria Cotogni, Pasquale Pellegrino, Claudio Buccarella, Francesco Strano, I Musici has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With 12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 7 in F major for 4 Violins, RV 567: 4. Adagio being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
Sinfonia in C major: III. Allegrissimo | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.2: 2. Largo | Tomaso Albinoni, I Musici, Pina Carmirelli | D Minor | 1 | 7A | 113 BPM | ||
Sonata for Piano & Violin in a, K. 12: I. Andante | Wolfgang Amadeus Mozart, Rudolf Serkin, Pina Carmirelli, David Cole | A Major | 4 | 11B | 133 BPM | ||
Trio Sonata for 2 Violins and Continuo in B flat, Op. 5, No. 7, HWV 402: 5. Gavotte (Allegro) | George Frideric Handel, Kenneth Sillito, Malcolm Latchem, Alan Cuckston, Denis Vigay, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 144 BPM | ||
Concerto Grosso No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
Concerti grossi, Op. 6, Concerto Grosso No. 8 in C Minor, HWV 326: I. Allemande | George Frideric Handel, Academy of Ancient Music, Andrew Manze | C Minor | 1 | 5A | 63 BPM | ||
Concerto grosso No. 5 in B-Flat Major, Op. 6: V. Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | B Major | 1 | 1B | 59 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM |
Section: 0.5938315391540527
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