Gregory Harrington made "March From The Opera The Love For Three Oranges" available on September 25, 2006. With March From The Opera The Love For Three Oranges being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Reflections". In this album, this song's track order is #5. In terms of popularity, March From The Opera The Love For Three Oranges is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With March From The Opera The Love For Three Oranges by Gregory Harrington having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Chúileann / O'carolans Concerto (Solo Violin) - Live | Gregory Harrington | D Major | 2 | 10B | 102 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca: | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 111 BPM | ||
Le streghe, Op. 8, MS 19: Theme (arr. for violin and piano) | Anonymous, Niccolò Paganini, Takako Nishizaki, Terence Dennis | D Major | 2 | 10B | 113 BPM | ||
Violin Concerto in D Major, Op. posth., No. 2: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 104 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Pathetique - 3rd Movement (Sonata No. 8 C Minor) | Monsalve | C Minor | 5 | 5A | 196 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Les ballets du roi: Gavotte en rondeau (arr. for violin and piano) | Anonymous, Jean-Baptiste Lully, Takako Nishizaki, Terence Dennis | A Minor | 1 | 8A | 81 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Takako Nishizaki, Terence Dennis | G Minor | 2 | 6A | 122 BPM |
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