Pyotr Ilyich Tchaikovsky, Gidon Kremer, Berliner Philharmoniker, Lorin Maazel's 'Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca:' came out on January 1, 1980. Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca: is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 4 in the song's album "Tchaikovsky: Violin Concerto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca: is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca: by Pyotr Ilyich Tchaikovsky, Gidon Kremer, Berliner Philharmoniker, Lorin Maazel having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
String Quartet in D minor, Op. 56 "Voces intimae": 1. Andante - Allegro molto moderato | Jean Sibelius, Emerson String Quartet | D Minor | 1 | 7A | 115 BPM | ||
Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | ||
Liebeslied | Fritz Kreisler, Julia Krasko, Olga Kondratieva | A Major | 0 | 11B | 136 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
String Quartet No. 6 in F Minor, Op. 80, MWV R30: I. Allegro vivace assai | Felix Mendelssohn, New Zealand String Quartet | F♯ Major | 0 | 2B | 134 BPM |
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