"Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta)" by Giuseppe Verdi, Aldo Ceccato, Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra was released on January 1, 1972. The duration of Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Beverly Sills, Aldo Ceccato, Royal Philharmonic Orchestra. The song's track number on the album is #24 out of 47 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta) by Giuseppe Verdi, Aldo Ceccato, Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta) being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM |
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