Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen) - Elisabeth Grümmer, Wilhelm Furtwängler, Rita Streich, Hans Hopf, Wiener Philharmoniker Information

Acousticness: 93%
Danceability: 31%
Energy: 22%
Instrumentalness: 0%
Liveness: 74%
Loudness: 69%
Speechiness: 6%
Valence: 21%
Popularity: 0%
Loudness: -18.494 dB

Summary

Elisabeth Grümmer, Wilhelm Furtwängler, Rita Streich, Hans Hopf, Wiener Philharmoniker's 'Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen)' came out on 2000. Since Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Der Freischütz by Wiener Philharmoniker/Wilhelm Furtwängler/Chor der Wiener Staatsoper. The song's track number on the album is #2 out of 32 tracks. Based on our statistics, Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen) BPM

Since Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen) by Elisabeth Grümmer, Wilhelm Furtwängler, Rita Streich, Hans Hopf, Wiener Philharmoniker has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen) being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Der Freischütz (2000 - Remaster), Act II: Wie? Was? Entsetzen! (Agathe/Max/Ännchen) Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem, Op. 89, B. 165, Pt. 1: III. Dies irae	Antonín Dvořák, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Kim Borg, Czech Philharmonic, Karel Ančerl, Czech Chorus, Prague, Markéta Kühnová	B♭ Minor	2	3A	87 BPM
Humperdinck: Hänsel und Gretel, Act III, Scene 3: "Nun Gretel, sei vernünftig und nett" (Hexe, Gretel, Hänsel)	Engelbert Humperdinck, Herbert von Karajan, Elisabeth Grümmer, Elisabeth Schwarzkopf, Else Schürhoff, Philharmonia Orchestra	B Major	2	1B	87 BPM
Die schöne Müllerin, Op. 25, D.795: I. Das Wandern	Franz Schubert, Fritz Wunderlich, Hubert Giesen	F Major	2	7B	74 BPM
Wesendonck Lieder: Träume	Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles	A♭ Major	1	4B	72 BPM
Messa di Gloria: XV. Et vitam	Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català	D Major	1	10B	64 BPM
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus)	Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth	E Major	3	12B	82 BPM
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz"	Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber	C Major	0	8B	99 BPM
Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)	Ludwig van Beethoven, Sir Simon Rattle, Angela Denoke, Juliane Banse, Rainer Trost, László Polgár, Berliner Philharmoniker	G Major	1	9B	78 BPM
Orchestervorspiel	Berliner Philharmoniker, Chor der Deutschen Oper Berlin	A Major	2	11B	119 BPM
Prince Igor (Knyaz Igor): Act II: Merknyet svyet dnevnoy (Daylight is fading) (Konchakovna)	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	F♯ Major	2	2B	91 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.3268539905548096

End: 1.3309845924377441