Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Jolanda Gardino, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 1: "Ah, mia moglie, san chi sono" (Geronio, Zaida, Coro)" available on 1955. With Rossini: Il turco in Italia, Act 1: "Ah, mia moglie, san chi sono" (Geronio, Zaida, Coro) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Rossini: Il turco in Italia, Act 1: "Ah, mia moglie, san chi sono" (Geronio, Zaida, Coro) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rossini: Il turco in Italia, Act 1: "Ah, mia moglie, san chi sono" (Geronio, Zaida, Coro) by Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Jolanda Gardino, Orchestra Del Teatro Alla Scala, Milano having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Rossini: Soirées musicales: No. 8, La danza | Gioacchino Rossini, György Cziffra | A♭ Major | 5 | 4B | 145 BPM | ||
Rigoletto: Prelude | Giuseppe Verdi, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | G Major | 1 | 9B | 68 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Ciro in Babilonia, Act I, Scene 13: Ti calma, ti consola (Coro) | Gioacchino Rossini, Orchestra Sinfonica di Sanremo, Coro Lirico Francesco Cilea, Carlo Rizzi, Massimo Sabbatini | D Major | 3 | 10B | 102 BPM | ||
Rigoletto / Act 3: Un dì, se ben rammentomi | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | E Major | 1 | 12B | 126 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Rigoletto, Act I: Figlia! Mio padre! | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM |
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