"Vecerni zvon" by Traditional Traditional, Slovenski Oktet, Nicolai Gedda was released on 1990. With this song being about 5 minutes long, at 4:46, "Vecerni zvon" by Traditional Traditional, Slovenski Oktet, Nicolai Gedda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Slovenski oktet in Nicolai Gedda". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Slovenia. Based on our statistics, Vecerni zvon's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vecerni zvon by Traditional Traditional, Slovenski Oktet, Nicolai Gedda having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Principio Di Virtu | Traditional Traditional, Early Music New York, Frederick Renz, Glen Velez | C Major | 1 | 8B | 109 BPM | ||
Missa "Mater Patris": Credo | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Reis glorios | Giraut de Bornelh, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | B♭ Minor | 0 | 3A | 112 BPM | ||
Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
O, Gladsome Radiance | Monks Choir of Kyiv Pechersk Monastery | B Major | 2 | 1B | 65 BPM | ||
Ay Santa Maria | Psalterium, Public Domain | G Major | 3 | 9B | 98 BPM | ||
Can l'erba fresc' | Bernart de Ventadorn, Ensemble Apotropaïk, Louise Bouedo, Clémence Niclas, Marie-Domitille Murez, Clément Stagnol | E♭ Minor | 1 | 2A | 94 BPM | ||
Misirlou | Traditional Traditional, Tuscan Chamber Orchestra | C Major | 1 | 8B | 83 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 114 BPM |
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