André Campra, Jaël Azzaretti, William Christie made "Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 3, Dialogue "Memor sit omnis sacrificii tui" (Haute-contre 1, Basse-taille 2)" available on 2003. With Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 3, Dialogue "Memor sit omnis sacrificii tui" (Haute-contre 1, Basse-taille 2) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 3, Dialogue "Memor sit omnis sacrificii tui" (Haute-contre 1, Basse-taille 2) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 3, Dialogue "Memor sit omnis sacrificii tui" (Haute-contre 1, Basse-taille 2) by André Campra, Jaël Azzaretti, William Christie is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval du Parnasse, Prologue Scene 1: Ariette. Que ce beau jour promet d’heureux instants (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
André Campra — Jesu amantissime ! – Livre II: Quàm dilecta tabernacula tua Domine | André Campra, Jean-Francois Lombard, Jean-François Novelli, Marc Labonnette, Les Folies Françoises, Patrick Cohën-Akenine | F Minor | 3 | 4A | 69 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Ariette. Augelletti (Florine) | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Ouverture-Suite in G Minor, TWV 55:g4: VI. Gasconnade | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 142 BPM | ||
Télémaque & Calypso, Act III Scene 6: Prince, enfin je ne crains plus rien (Calypso, Télémaque) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Isabelle Druet, Antonin Rondepierre | F Minor | 2 | 4A | 79 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Recueil d’airs détachés et d’airs de violons, Cinquième Suite: III. Air | Michel Richard Delalande, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Theodora, HWV 68, Overture: Trio | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 1 | 10B | 89 BPM |
Section: 0.5205380916595459
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