"Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto)" by Felix Mendelssohn, George Szell, Cleveland Orchestra was released on July 20, 2018. With this song being about 5 minutes long, at 5:21, "Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto)" by Felix Mendelssohn, George Szell, Cleveland Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, George Szell, Cleveland Orchestra's "Mendelssohn: Symphony No. 4, Op. 90 "Italian" & The Hebrides Overtures - Weber: Overture to Oberon" album is number 4 out of 6. On top of that, United States appears to be the country where this track was created. In terms of popularity, Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) by Felix Mendelssohn, George Szell, Cleveland Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" | Felix Mendelssohn, Daniel Barenboim | E Major | 0 | 12B | 108 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM |
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