Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel's 'Tafelmusik - Banquet Music In 3 Parts / Production 2 - 6. Conclusion In D Major: Allegro - Adagio - Allegro D.c.' came out on January 1, 1989. Tafelmusik - Banquet Music In 3 Parts / Production 2 - 6. Conclusion In D Major: Allegro - Adagio - Allegro D.c. is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #16. Based on our statistics, Tafelmusik - Banquet Music In 3 Parts / Production 2 - 6. Conclusion In D Major: Allegro - Adagio - Allegro D.c.'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tafelmusik - Banquet Music In 3 Parts / Production 2 - 6. Conclusion In D Major: Allegro - Adagio - Allegro D.c. by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Concerto In D Major, TWV 40:202 For 4 Violins Without Basso Continuo: 1. Adagio | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | A♭ Major | 0 | 4B | 179 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hünteler, Cappella Coloniensis, Georg Fischer | E♭ Minor | 2 | 2A | 124 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: II. Gaÿ | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 3 | 2B | 125 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM |
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