- BPM
- 128
- Key
- F Minor
- Camelot
- 4A
Vintervisa: Vintervisa - Sven-Eric Johanson, Allmänna Sången, Cecilia Rydinger Alin Information
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 34%
- Popularity
- 1%
- Loudness
- -27.931 dB
Summary
Sven-Eric Johanson, Allmänna Sången, Cecilia Rydinger Alin's 'Vintervisa: Vintervisa' came out on April 30, 1998. With Vintervisa: Vintervisa being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in Årstider: Choral Works, so we believe that "Vintervisa: Vintervisa" is a single. Based on our statistics, Vintervisa: Vintervisa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vintervisa: Vintervisa BPM
The tempo marking of Vintervisa: Vintervisa by Sven-Eric Johanson, Allmänna Sången, Cecilia Rydinger Alin is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Vintervisa: Vintervisa Key
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Love One Another | John Bell, The Cathedral Singers | D Major | 2 | 10B | 83 BPM | |
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 | Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | |
 | The Crucifixion: Recitative: Is it nothing to you? (Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | A♭ Major | 1 | 4B | 84 BPM | |
 | Elijah, Op. 70: "Holy, Holy, Holy Is God the Lord" (Quartet & Chorus) | Felix Mendelssohn, Gabrieli, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, William Whitehead, Paul McCreesh | C Major | 1 | 8B | 140 BPM | |
 | Jesus, You Are the Way | Margaret Rizza, Kevin Mayhew Ltd | E Major | 1 | 12B | 143 BPM | |
 | Mass No. 2 in E Minor, WAB 27 (1882 Version): VI. Agnus Dei | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Major | 0 | 12B | 81 BPM | |
 | Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM |
- ISRC
- SEAEJ9834310
- Label
- L-M Records/RCA Records
Section: 0.8601455688476562
End: 0.8645246028900146