The Crucifixion: Recitative: Is it nothing to you? (Bass)
John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown
Stainer: Crucifixion (The)
1:13 May 1, 2005
BPM
84
Key
A♭ Major
Camelot
4B

Embed

Share Link

The Crucifixion: Recitative: Is it nothing to you? (Bass) - John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown Information

Acousticness
96%
Danceability
19%
Energy
10%
Instrumentalness
3%
Liveness
32%
Loudness
59%
Speechiness
5%
Valence
6%
Popularity
Loudness
-24.428 dB

Summary

"The Crucifixion: Recitative: Is it nothing to you? (Bass)" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown was released on May 1, 2005. With The Crucifixion: Recitative: Is it nothing to you? (Bass) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #17. The Crucifixion: Recitative: Is it nothing to you? (Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Crucifixion: Recitative: Is it nothing to you? (Bass) BPM

With The Crucifixion: Recitative: Is it nothing to you? (Bass) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

The Crucifixion: Recitative: Is it nothing to you? (Bass) Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Selig sind die Toten by Heinrich Schütz, Choir of Clare College, Cambridge, Timothy BrownSelig sind die TotenHeinrich Schütz, Choir of Clare College, Cambridge, Timothy BrownG Major19B128 BPM
The Crucifixion: Hymn: For the love of Jesus by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim BrownThe Crucifixion: Hymn: For the love of JesusJohn Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim BrownE Major112B83 BPM
Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!"Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross, Clare Baroque, Margaret Faultless, Mary Bevan, Neal DaviesD Major110B174 BPM
Missa Praeter rerum seriem: V. Benedictus by George de La Hèle, El León de Oro, Peter PhillipsMissa Praeter rerum seriem: V. BenedictusGeorge de La Hèle, El León de Oro, Peter PhillipsG Major29B142 BPM
In monte Oliveti II by Orlande de Lassus, Regensburger Domspatzen, Roland BüchnerIn monte Oliveti IIOrlande de Lassus, Regensburger Domspatzen, Roland BüchnerF Major37B137 BPM
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day by Gerald Finzi, Finzi Singers, Paul SpicerSeven Poems of Robert Bridges, Op. 17: III. My spirit sang all dayGerald Finzi, Finzi Singers, Paul SpicerA Minor18A121 BPM
Salvum fac populum tuum, WAB 40 by Anton Bruckner, Latvian Radio Choir, Sigvards KļavaSalvum fac populum tuum, WAB 40Anton Bruckner, Latvian Radio Choir, Sigvards KļavaC Major08B81 BPM
Tantum ergo, WAB 42 by Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards KļavaTantum ergo, WAB 42Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards KļavaA Major211B135 BPM
Ah Robin by William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark WilliamsAh RobinWilliam Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark WilliamsC Minor15A93 BPM
Christ, unser Herr, zum Jordan kam, BWV 684 by Johann Sebastian Bach, Stephen FarrChrist, unser Herr, zum Jordan kam, BWV 684Johann Sebastian Bach, Stephen FarrE♭ Major25B75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5525028705596924

End: 0.55670166015625