"The Crucifixion: Recitative: Is it nothing to you? (Bass)" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown was released on May 1, 2005. With The Crucifixion: Recitative: Is it nothing to you? (Bass) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #17. The Crucifixion: Recitative: Is it nothing to you? (Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: Recitative: Is it nothing to you? (Bass) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten | Heinrich Schütz, Choir of Clare College, Cambridge, Timothy Brown | G Major | 1 | 9B | 128 BPM | ||
The Crucifixion: Hymn: For the love of Jesus | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 1 | 12B | 83 BPM | ||
Gott der Herr ist Sonn und Schild, BWV 79: VI. Aria "Gott, ach Gott, verlass die Deinen nimmermehr!" | Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross, Clare Baroque, Margaret Faultless, Mary Bevan, Neal Davies | D Major | 1 | 10B | 174 BPM | ||
Missa Praeter rerum seriem: V. Benedictus | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
In monte Oliveti II | Orlande de Lassus, Regensburger Domspatzen, Roland Büchner | F Major | 3 | 7B | 137 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Salvum fac populum tuum, WAB 40 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 81 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Ah Robin | William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark Williams | C Minor | 1 | 5A | 93 BPM | ||
Christ, unser Herr, zum Jordan kam, BWV 684 | Johann Sebastian Bach, Stephen Farr | E♭ Major | 2 | 5B | 75 BPM |
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