"La Vida Breve, Act One, Tableau 1, Scene Six: Malhaya la jembra pobre! (Una voz en la fragua/Paco/Salud/Una voz lejana)" by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia was released on July 1, 1999. The duration of La Vida Breve, Act One, Tableau 1, Scene Six: Malhaya la jembra pobre! (Una voz en la fragua/Paco/Salud/Una voz lejana) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. La Vida Breve, Act One, Tableau 1, Scene Six: Malhaya la jembra pobre! (Una voz en la fragua/Paco/Salud/Una voz lejana)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel de Falla, Victoria de los Ángeles's "Manuel de Falla:La Vida Breve/El sombrero de tres picos etc" album is number 14 out of 65. La Vida Breve, Act One, Tableau 1, Scene Six: Malhaya la jembra pobre! (Una voz en la fragua/Paco/Salud/Una voz lejana) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Vida Breve, Act One, Tableau 1, Scene Six: Malhaya la jembra pobre! (Una voz en la fragua/Paco/Salud/Una voz lejana) by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
7 Canciones populares españolas (arr. P. Kochanski): No. 1. El pano moruno | Paul Kochanski, Manuel de Falla, Jesus Angel Leon, Miguel Angel Muñoz | B Minor | 2 | 10A | 110 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
7 Canciones populares Españolas: No. 3, Asturiana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | F Minor | 0 | 4A | 71 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
El Sombrero de tres picos, Pt. 1: No. 3, Danza de la molinera | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | D Major | 1 | 10B | 129 BPM |
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