"Sinfonia In F Major: I. Vivace" by Salzburg Chamber Philharmonic Orchestra, Wilhelm Friedemann Bach was released on October 24, 1995. The duration of Sinfonia In F Major: I. Vivace is about 3 minutes long, at 3:15. Based on our data, "Sinfonia In F Major: I. Vivace" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in C.P.E. Bach/ W.F. Bach : Sinfonias by Carl Philipp Emanuel Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sinfonia In F Major: I. Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia In F Major: I. Vivace by Salzburg Chamber Philharmonic Orchestra, Wilhelm Friedemann Bach is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: II. Stringendo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 3 | 10B | 145 BPM | ||
Concerto for Flute, Harp, and Orchestra in C, K.299: 3. Rondeau: Allegro | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | C Major | 1 | 8B | 88 BPM | ||
Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM |
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