Luigi Rossi, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Che puó far Citerea" (Euridice)' came out on September 3, 2015. With Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Che puó far Citerea" (Euridice) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 21 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Che puó far Citerea" (Euridice) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Che puó far Citerea" (Euridice) by Luigi Rossi, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Membra Jesu Nostri, BuxWV 75: IV. Ad latus. Surge amica mea | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 1 | 12A | 74 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Suite in G Major: IV. Aria Burlesca | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 2 | 2B | 101 BPM | ||
Scarlatti,A: La Giuditta: "Ardea di fiamma impura" (Nutrice, Oloferne) | Alessandro Scarlatti, Philippe Jaroussky, Yannis François | B Major | 1 | 1B | 169 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Dies iræ, S. 31: Tuba mirum spargens sonum | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 127 BPM | ||
Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM |
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