"Es war ein König in Thule (Faust)" by Elisabeth Grümmer, Berliner Symphoniker was released on March 20, 2008. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Elisabeth Grümmer's "Lebendige Vergangenheit - Elisabeth Grümmer" album is number 7 out of 17. Es war ein König in Thule (Faust) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Es war ein König in Thule (Faust) by Elisabeth Grümmer, Berliner Symphoniker to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 105: I. Wie Melodien zieht es mir | Johannes Brahms, Bernarda Fink, Roger Vignoles | C Minor | 0 | 5A | 69 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 73 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Lohengrin, WWV 75, Act III: Act III Scene 2: Wie hehr erkenn' ich unsrer Liebe Wesen! (Lohengrin, Elsa) | Richard Wagner, Sandor Konya, Elisabeth Grümmer, Bayreuth Festival Orchestra, Lovro Von Matacic | A Major | 1 | 11B | 71 BPM | ||
Dichterliebe, Op.48: 7. Ich grolle nicht | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | C Major | 2 | 8B | 106 BPM | ||
Tannhauser, Act III: Allmacht'ge Jungfrau, hor mein Flehen! | Richard Wagner, Elisabeth Grümmer, Munich Radio Orchestra, Kurt Peter Eichhorn | F♯ Major | 1 | 2B | 98 BPM | ||
Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM |
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