Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act III - "14. Medora Discovers Conrad (Variation: Gulnare)"" available on October 14, 2011. With Le Corsaire: Act III - "14. Medora Discovers Conrad (Variation: Gulnare)" being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 34 out of 70. On top of that, United States appears to be the country where this track was created. The popularity of Le Corsaire: Act III - "14. Medora Discovers Conrad (Variation: Gulnare)" is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Corsaire: Act III - "14. Medora Discovers Conrad (Variation: Gulnare)" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Presto (very, very fast) because the track has a tempo of 189 BPM, a half-time of 94BPM, and a double-time of 378 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prologue: Entree Of Don Quixote (Minkus) | Mariinsky Orchestra | G Major | 2 | 9B | 64 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 46: I. Allegro moderato | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Major | 2 | 8B | 119 BPM | ||
Sinfonia in G Major: II. Romance | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 3 | 9B | 129 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 167 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | E♭ Major | 0 | 5B | 88 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Life in Balance | Ken Hsieh, Evergreen Symphony Orchestra | G Major | 1 | 9B | 80 BPM |
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