"Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé)" by Claude Debussy, Mstislav Rostropovich, Benjamin Britten was released on January 1, 2000. The duration of Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) is about 3 minutes long, at 3:28. Based on our data, "Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 30 in Debussy: String Quartet; La Mer; Préludes by Claude Debussy, Melos Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) by Claude Debussy, Mstislav Rostropovich, Benjamin Britten is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Deux Arabesques: No. 2 in G Major | Peter Schmalfuss | G Major | 1 | 9B | 70 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM |
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