Francesco Geminiani, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen made "Cello Sonata in A Minor, Op. 5 No. 6, H. 108: IV. Allegro" available on January 1, 1991. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 24 in Cello Music - Vivaldi, A. / Geminiani, F. (Sonatas for Violoncello and Basso Continuo) by Roel Dieltiens. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Cello Sonata in A Minor, Op. 5 No. 6, H. 108: IV. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cello Sonata in A Minor, Op. 5 No. 6, H. 108: IV. Allegro by Francesco Geminiani, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in A Major, Op. 5, No. 1: II. Allegro | Francesco Geminiani, George Ross, Alastair Ross | B Major | 0 | 1B | 93 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | A Major | 1 | 11B | 103 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Sonata No. 2 in D Minor: VII. 07 2. Presto | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 7 : IV. Andante Largo | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Quido Holbling, Anna Holbling, Capella Istropolitana | B Minor | 2 | 10A | 85 BPM |
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