- BPM
- 71
- Key
- D Minor
- Camelot
- 7A
Remembrance: Salvame! (Mozart Homage) - Federico Jusid Information
- Acousticness
- 68%
- Danceability
- 13%
- Energy
- 11%
- Instrumentalness
- 85%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -16.834 dB
Summary
"Remembrance: Salvame! (Mozart Homage)" by Federico Jusid was released on May 10, 2024. With Remembrance: Salvame! (Mozart Homage) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 33 in A Gentleman in Moscow (Original Paramount+ Series Soundtrack) by Federico Jusid. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Remembrance: Salvame! (Mozart Homage) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Remembrance: Salvame! (Mozart Homage) BPM
The tempo marking of Remembrance: Salvame! (Mozart Homage) by Federico Jusid is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Remembrance: Salvame! (Mozart Homage) Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM | |
 | Ave Maria, Op. 12 | Johannes Brahms, Tenebrae, Alexander Mason, Nigel Short | C Major | 2 | 8B | 75 BPM | |
 | Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | |
 | Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM | |
 | Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | |
 | Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | |
 | Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 81 BPM | |
 | Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" - "Now Cherith's brook is dried up" | Felix Mendelssohn, Anne Sofie von Otter, Yvonne Kenny, Anne Dawson, Jean Rigby, Anthony Rolfe Johnson, Kim Begley, Thomas Allen, John Connell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 108 BPM | |
 | Requiem: XII. In Paradisum | François Dompierre, Ensemble ArtChoral, Orchestre Filmharmonique, Myriam Leblanc, Francis Choinière | G Minor | 2 | 6A | 90 BPM | |
 | Hear My Prayer (Da ispravitsya molitva moya) | Pavel Chesnokov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | B Minor | 1 | 10A | 79 BPM |
- ISRC
- USLS52455906
- Label
- L-M Records/RCA Records
Section: 0.5569615364074707
End: 0.5640501976013184