Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer
Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent
Lassus: Cantiones sacrae sex vocum
4:10 October 28, 2008
BPM
127
Key
B Minor
Camelot
10A

Embed

Share Link

Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer - Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent Information

Acousticness
100%
Danceability
19%
Energy
22%
Instrumentalness
0%
Liveness
6%
Loudness
69%
Speechiness
5%
Valence
7%
Popularity
Loudness
-18.326 dB

Summary

"Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer" by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent was released on October 28, 2008. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent's "Lassus: Cantiones sacrae sex vocum" album is number 8 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer BPM

We consider the tempo marking of Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Missa Pro Defunctis: Kyrie 1 by Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale ConstantiniMissa Pro Defunctis: Kyrie 1Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale ConstantiniB Minor110A129 BPM
Hymnen, Op. 140: Nr. 3 Eripe me by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusHymnen, Op. 140: Nr. 3 Eripe meJosef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusD Major110B80 BPM
Chanson d'automne by Alphons Diepenbrock, Netherlands Chamber Choir, Anton VerheijChanson d'automneAlphons Diepenbrock, Netherlands Chamber Choir, Anton VerheijA Major011B111 BPM
Like a Darling: No. 2, Someone Not There Now by Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah SelveyLike a Darling: No. 2, Someone Not There NowSteven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah SelveyB♭ Minor03A78 BPM
Missa Prolationum: Kyrie II by Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume OlryMissa Prolationum: Kyrie IIJohannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume OlryF Major17B76 BPM
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso by Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena SartoriLa liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel PermessoFrancesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena SartoriG Minor16A82 BPM
Missa Nunca Fue Pena Major: V. Agnus Dei by Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur MaudMissa Nunca Fue Pena Major: V. Agnus DeiFrancisco de Peñalosa, Concentus Musicus Minnesota, Arthur MaudA♭ Minor21A74 BPM
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 2, Beatus homo qui invenit sapientiamOrlande de Lassus, Paolo Tognon, Claudio VerhA Minor18A85 BPM
Psalm 130: Israel hoffet auf den Herren by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd GuglhörPsalm 130: Israel hoffet auf den HerrenHeinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd GuglhörD Minor27A88 BPM
Psalmus Sextus Poenitentialis: Psalmus Sextus Poenitentialis: "De profundis clamavi ad te Domine"Orlande de Lassus, Collegium Vocale Gent, Philippe HerrewegheF Major27B67 BPM
ISRC
FRZ140711080
Label
L-M Records/RCA Records

Section: 0.5811059474945068

End: 0.5850930213928223