"Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer" by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent was released on October 28, 2008. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent's "Lassus: Cantiones sacrae sex vocum" album is number 8 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantiones sacrae sex vocum: VIII. Ad Dominum cum tribularer by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pro Defunctis: Kyrie 1 | Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini | B Minor | 1 | 10A | 129 BPM | ||
Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
Chanson d'automne | Alphons Diepenbrock, Netherlands Chamber Choir, Anton Verheij | A Major | 0 | 11B | 111 BPM | ||
Like a Darling: No. 2, Someone Not There Now | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | B♭ Minor | 0 | 3A | 78 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | G Minor | 1 | 6A | 82 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 2, Beatus homo qui invenit sapientiam | Orlande de Lassus, Paolo Tognon, Claudio Verh | A Minor | 1 | 8A | 85 BPM | ||
Psalm 130: Israel hoffet auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 2 | 7A | 88 BPM | ||
Psalmus Sextus Poenitentialis: "De profundis clamavi ad te Domine" | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | F Major | 2 | 7B | 67 BPM |
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