"Aida : Celeste Aida" by Fabio Armiliato was released on March 14, 2011. With this song being about 5 minutes long, at 4:39, "Aida : Celeste Aida" by Fabio Armiliato is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Ten Years On Stage". In this album, this song's track order is #9. In terms of popularity, Aida : Celeste Aida is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aida : Celeste Aida by Fabio Armiliato having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele: Prologue - Scherzo instrumentale - Appearance of Mefistofele | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 82 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Dúo de Rosa y Rufo, Pt. 2 | Ángeles Ottein, Anibal Vela | F Major | 2 | 7B | 86 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
La Boheme, vierter Akt: Sono andati fingevo di dormire | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Maremma: Prigioniero ti faremo | Pasquale di Cagno, Amarilli Nizza, Francesco Ledda, Fabio Armiliato, Massimiliano Fichera, Lorenzo Bizzarri, Alejandro Escobar, Opera Discovery Orchestra, Corale Quadriclavio di Bologna | D♭ Major | 2 | 3B | 75 BPM | ||
A canson da Cheullia / Piccon, dagghe cianìn | Fabio Armiliato | A Minor | 5 | 8A | 90 BPM |
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