"Bronze Horseman Suite: VII. Anticipation. Allegro molto agitato" by Reinhold Glière, Sir Edward Downes, BBC Philharmonic was released on June 1, 1995. The duration of Bronze Horseman Suite: VII. Anticipation. Allegro molto agitato is about 3 minutes long, at 3:12. Based on our data, "Bronze Horseman Suite: VII. Anticipation. Allegro molto agitato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins's "Gliere: Horn Concerto & Bronze Horseman Suite" album is number 12 out of 16. Bronze Horseman Suite: VII. Anticipation. Allegro molto agitato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bronze Horseman Suite: VII. Anticipation. Allegro molto agitato by Reinhold Glière, Sir Edward Downes, BBC Philharmonic to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Popper: Dance of the Elves, Op. 39 | David Popper, Edgar Moreau, Pierre-Yves Hodique | D Major | 2 | 10B | 88 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Minor | 2 | 6A | 138 BPM | ||
Sonata in G Minor: III. Adagio | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 0 | 6A | 84 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Berceuse, Op. 20 | Eugène Ysaÿe, María Dueñas, Wiener Symphoniker, Manfred Honeck | E Minor | 0 | 9A | 131 BPM | ||
8 Pieces, Op. 39: No. 3. Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | G Major | 2 | 9B | 123 BPM | ||
Schumann: Träumerei | Robert Schumann, Mischa Elman, Joseph Seiger | F Major | 1 | 7B | 85 BPM | ||
Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni | Reinhold Glière, Richard Hickox, City of London Sinfonia, Rachel Masters | B Major | 0 | 1B | 82 BPM |
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