"Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni" by Reinhold Glière, Richard Hickox, City of London Sinfonia, Rachel Masters was released on September 1, 1992. Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni appears to be safe for all ages as it is not explicit. The track order of this song in Richard Hickox, City of London Sinfonia, Eileen Hulse, Rachel Masters's "Glière & Ginastera: Harp Concertos" album is number 2 out of 8. Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni by Reinhold Glière, Richard Hickox, City of London Sinfonia, Rachel Masters to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Cello Concerto in F Major, RV 412: III. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | C Major | 2 | 8B | 181 BPM | ||
Kinderstücke, Op. 31: IV. Träumereien | Reinhold Glière, Gianluca Imperato | D Minor | 0 | 7A | 121 BPM | ||
Death in Venice, Op. 88, Act I Scene 6: The Foiled Departure. I am become like one of my early heroes (Aschenbach, First Gondolier) | Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge, Vernon Kirk | D Major | 1 | 10B | 68 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) | Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge | D Major | 1 | 10B | 68 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
16 Waltzes, Op. 39: No. 15 in A Flat Major | Johannes Brahms, Fabian Müller | A♭ Major | 0 | 4B | 69 BPM |
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