Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach)
Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge
Britten: Death in Venice
1:35 February 1, 2005
BPM
68
Key
D Major
Camelot
10B

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Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) - Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge Information

Acousticness
97%
Danceability
26%
Energy
12%
Instrumentalness
0%
Liveness
56%
Loudness
62%
Speechiness
7%
Valence
7%
Popularity
Loudness
-23.048 dB

Summary

"Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach)" by Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge was released on February 1, 2005. With Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 51 in Britten: Death in Venice by Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge, Alan Opie, Michael Chance, BBC Singers, Stephen Betterridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) BPM

The tempo marking of Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) by Benjamin Britten, Richard Hickox, City of London Sinfonia, Philip Langridge is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Death in Venice, Op. 88, Act I Scene 4: The First Evening at the Hotel. How does such beauty come about? (Aschenbach) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

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ISRC
GBLWD0501211
Label
L-M Records/RCA Records

Section: 0.7038547992706299

End: 0.7076470851898193