Sergei Prokofiev, André Previn, London Symphony Orchestra's 'Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 24, Dance of the Five Couples' came out on 1973. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet". In this album, this song's track order is #24. The popularity of Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 24, Dance of the Five Couples is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 24, Dance of the Five Couples by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alexander Nevsky: II. Song about Alexander Nevsky | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": VII. Troyte (Troyte Griffith). Presto | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | C Major | 6 | 8B | 162 BPM | ||
Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto | Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 84 BPM | ||
Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 85 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig Bewegt, Doch Nicht Zu Schnell - Trio: Recht Gemächlich - Tempo Primo | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | A Minor | 0 | 8A | 67 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 87 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
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