"Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie" by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. The duration of Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Strauss, R.: An Alpine Symphony Op.64". In this album, this song's track order is #17. Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act 1: "Mein Sohn Amfortas, bist du am Amt?" | Richard Wagner, Victor von Halem, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 2 | 9B | 85 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Parsifal / Act I: "Wein und Brot des letzten Mahles" | Richard Wagner, Hanna Schwarz, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 116 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" | Gustav Mahler, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F♯ Major | 0 | 2B | 85 BPM | ||
Don Quixote, Op. 35, TrV 184: Introduction | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 1 | 10B | 92 BPM | ||
5 Movements, Op. 5 (version for string orchestra): No. 4. Sehr langsam | Anton Webern, New York Philharmonic, Herbert von Karajan | D♭ Major | 3 | 3B | 86 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | D Major | 3 | 10B | 187 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione V: Allegro moderato | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
Symphony No.5 in D minor, Op.107, MWV N15 - "Reformation": 4. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 83 BPM |
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