György Ligeti, Berlin Philharmonic Wind Quintet's '6 Bagatelles: V. Adagio - Mesto (Bela Bartok in memoriam)' came out on May 31, 1994. The duration of 6 Bagatelles: V. Adagio - Mesto (Bela Bartok in memoriam) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. 6 Bagatelles: V. Adagio - Mesto (Bela Bartok in memoriam)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Szervanszky / Orban / Ligeti / Kurtag: Wind Quintets". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. 6 Bagatelles: V. Adagio - Mesto (Bela Bartok in memoriam) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Bagatelles: V. Adagio - Mesto (Bela Bartok in memoriam) by György Ligeti, Berlin Philharmonic Wind Quintet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Quatuor pour la fin du temps (Quartet for the End of Time): Louange à l'éternité de Jésus | Olivier Messiaen, William Pleeth, Erich Gruenberg, Gervase De Peyer, Michel Béroff | E Major | 0 | 12B | 189 BPM | ||
Síncrono | João Marcondes, Camerata Inaugural | C Major | 1 | 8B | 200 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 6. Sehr langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | G Major | 0 | 9B | 0 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM |
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