Fauré: Tristesse, Op. 6, No. 2
Gabriel Fauré, Mischa Maisky, Daria Hovora
Classical Sonosphere Vol. 3
2:47 June 16, 2023
BPM
97
Key
F Minor
Camelot
4A

Embed

Share Link

Fauré: Tristesse, Op. 6, No. 2 - Gabriel Fauré, Mischa Maisky, Daria Hovora Information

Acousticness
99%
Danceability
19%
Energy
2%
Instrumentalness
93%
Liveness
11%
Loudness
59%
Speechiness
4%
Valence
4%
Popularity
Loudness
-24.389 dB

Summary

"Fauré: Tristesse, Op. 6, No. 2" by Gabriel Fauré, Mischa Maisky, Daria Hovora was released on June 16, 2023. The duration of Fauré: Tristesse, Op. 6, No. 2 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Fauré: Tristesse, Op. 6, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 96 out of 144 in Classical Sonosphere Vol. 3 by Gabriel Fauré, Antonín Dvořák, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Fauré: Tristesse, Op. 6, No. 2 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fauré: Tristesse, Op. 6, No. 2 BPM

The tempo marking of Fauré: Tristesse, Op. 6, No. 2 by Gabriel Fauré, Mischa Maisky, Daria Hovora is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Fauré: Tristesse, Op. 6, No. 2 Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) by Claude Debussy, Daniel Lozakovich, Stanislav SolovievSuite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano)Claude Debussy, Daniel Lozakovich, Stanislav SolovievD♭ Major13B174 BPM
Cello Concerto No. 1 In C Major, G. 477: II. Largo by Tim Hugh, Scottish Chamber Orchestra, Luigi BoccheriniCello Concerto No. 1 In C Major, G. 477: II. LargoTim Hugh, Scottish Chamber Orchestra, Luigi BoccheriniF Major07B70 BPM
Adoration by Florence Beatrice Price, Randall Goosby, Zhu WangAdorationFlorence Beatrice Price, Randall Goosby, Zhu WangG Major19B79 BPM
Keyboard Sonata in D Minor, Kk. 1 by Domenico Scarlatti, Ivo PogorelichKeyboard Sonata in D Minor, Kk. 1Domenico Scarlatti, Ivo PogorelichD Minor17A107 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerPelleas et Melisande, Op. 80 (arr. C. Koechlin): II. AndanteCharles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerA Minor08A137 BPM
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile by Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklSymphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabileClaude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklD Major110B72 BPM
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) by Robert Schumann, Benjamin Grosvenor3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach)Robert Schumann, Benjamin GrosvenorB Major71B142 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino by Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyAntiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. AndantinoOttorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyB♭ Major16B172 BPM
ISRC
DEF059902850
Label
L-M Records/RCA Records

Section: 0.6114401817321777

End: 0.6153738498687744