"Doña Francisquita, Act I: El Lañador (Lañador, Buhonera, Cardona, Fernando, Aurora, Irene, francisquita, Doña francisca, Doña Liberata, Doña Basilisa, Lorenzo, Juan Andrés)" by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Emilio Sanchez, María Luisa Maesso, Santiago Jerico, Alfredo Kraus, Raquel Pierotti, Merceder Eleman Herrera, Maria Bayo, Rosa Maria Ysas, Encarna Santana Hernandez, Beatriz Gonzalez Ramos, Ismael Ponz, Alfonso Lopez Raymond was released on January 1, 1994. Doña Francisquita, Act I: El Lañador (Lañador, Buhonera, Cardona, Fernando, Aurora, Irene, francisquita, Doña francisca, Doña Liberata, Doña Basilisa, Lorenzo, Juan Andrés) appears to be safe for all ages as it is not explicit. The song is number 1 out of 20 in Doña Francisquita by Amadeo Vives, Maria Bayo, Alfredo Kraus, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife. Doña Francisquita, Act I: El Lañador (Lañador, Buhonera, Cardona, Fernando, Aurora, Irene, francisquita, Doña francisca, Doña Liberata, Doña Basilisa, Lorenzo, Juan Andrés) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Doña Francisquita, Act I: El Lañador (Lañador, Buhonera, Cardona, Fernando, Aurora, Irene, francisquita, Doña francisca, Doña Liberata, Doña Basilisa, Lorenzo, Juan Andrés) by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Emilio Sanchez, María Luisa Maesso, Santiago Jerico, Alfredo Kraus, Raquel Pierotti, Merceder Eleman Herrera, Maria Bayo, Rosa Maria Ysas, Encarna Santana Hernandez, Beatriz Gonzalez Ramos, Ismael Ponz, Alfonso Lopez Raymond is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Villana, Acto III: El Perdón - Remastered | Federico Romero, Guillermo Fernández-Shaw, Amadeo Vives, Jacinto Guerrero, Marcos Redondo | D Major | 1 | 10B | 75 BPM | ||
El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
Escucha Mi Bien | Amadeo Vivos, Amadeo Vives | G Major | 5 | 9B | 174 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
El Trust De Los Tenorios - Te Quiero Morena | Miguel Fleta | D Major | 2 | 10B | 127 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Ay, Ay, Ay | Miguel Fleta | B♭ Major | 3 | 6B | 78 BPM |
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