Federico Romero, Guillermo Fernández-Shaw, Amadeo Vives, Jacinto Guerrero, Marcos Redondo made "La Villana, Acto III: El Perdón - Remastered" available on March 31, 2014. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. La Villana, Acto III: El Perdón - Remastered is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La Villana, Acto III: El Perdón - Remastered by Federico Romero, Guillermo Fernández-Shaw, Amadeo Vives, Jacinto Guerrero, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mio dolce amor | Dario Pagano, Anastasia Malliaras, John Riesen | G Major | 4 | 9B | 135 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Monólogo de Pablo. Aquí en este sitio | Carlos Galeffi | C Major | 4 | 8B | 120 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
Golondrina de Madrid: "Cariño Que No Se Apasiona, Muy Lejos No Va" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Por Ser la Virgen | Orquesta Sinfónica Española | D Major | 2 | 10B | 162 BPM | ||
Les Pêcheurs de perles: De mon amie, fleur endormie (Nadir, Leïla) | Georges Bizet, Janine Micheau/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Minor | 0 | 7A | 76 BPM | ||
Rodrigo: 4 Madrigales amatorios: No. 4, De los álamos vengo, madre (Live) | Joaquín Rodrigo, Victoria de los Ángeles, Gerald Moore | D Major | 2 | 10B | 90 BPM | ||
Malia | Francesco Paolo Tosti, Joaquin Pixan, Giovanni Auletta | A♭ Major | 2 | 4B | 81 BPM |
Section: 0.5843636989593506
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