Wilhelm Müller, Xaver Hutter, Martin Rummel made "Winterreise, Op. 89, D. 911 (Arr. M. Rummel for Narrator, Cello and Piano): Poem: Der Wegweiser - Live" available on November 1, 2011. With Winterreise, Op. 89, D. 911 (Arr. M. Rummel for Narrator, Cello and Piano): Poem: Der Wegweiser - Live being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Xaver Hutter, Martin Rummel, Norman Shetler's "Müller/Schubert (Arr. Rummel): Winterreise" album is number 15 out of 49. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Winterreise, Op. 89, D. 911 (Arr. M. Rummel for Narrator, Cello and Piano): Poem: Der Wegweiser - Live is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Winterreise, Op. 89, D. 911 (Arr. M. Rummel for Narrator, Cello and Piano): Poem: Der Wegweiser - Live by Wilhelm Müller, Xaver Hutter, Martin Rummel to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Gedichte, Op. 14: No. 2, So fügt sich Blüt'- an Blütezeit | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | B♭ Minor | 1 | 3A | 121 BPM | ||
9 Lieder und Gesänge, Op. 32: No. 5, Wehe, so willst du mich wieder | Johannes Brahms, Hélène Grimaud, Konstantin Krimmel | G Major | 4 | 9B | 60 BPM | ||
Mahler: Rückert-Lieder: No. 3, Blicke mir nicht in die Lieder | Gustav Mahler, Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Träumen, Op. 7 | Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar | B Minor | 2 | 10A | 88 BPM | ||
Sept mélodies, Op. 2: VII. Le colibri | Ernest Chausson, Véronique Gens, Susan Manoff | B Major | 1 | 1B | 74 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
Der Freischütz, J. 277 / Act III: "Wer legt auf ihn so strengen Bann?" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Franz Crass, Siegfried Vogel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 70 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM |
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