Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works
Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth
Wie Google tickt - How Google Works
4:45 January 8, 2015
BPM
83
Key
B Minor
Camelot
10A

Embed

Share Link

Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works - Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth Information

Acousticness
48%
Danceability
72%
Energy
22%
Instrumentalness
0%
Liveness
33%
Loudness
68%
Speechiness
94%
Valence
62%
Popularity
Loudness
-19.489 dB

Summary

Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 4:45, "Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #170 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works BPM

Since Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.

Kapitel 79.2 & Kapitel 80.1 - Wie Google tickt - How Google Works Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes by Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones OrchestraBach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentesCarl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones OrchestraF Major17B85 BPM
Petite messe solennelle: VIII. Gloria. Qui tollis by Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel PererPetite messe solennelle: VIII. Gloria. Qui tollisGioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel PererA Minor18A83 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusIphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courrouxChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusC Major28B86 BPM
Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) by Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello RotaRoberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio)Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello RotaD Major510B85 BPM
Maria jumping mountains by Smooth MomentMaria jumping mountainsSmooth MomentC Major28B120 BPM
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel by Richard Wagner, Kathrin Zukowski, KammerMusikKölnWesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der EngelRichard Wagner, Kathrin Zukowski, KammerMusikKölnE♭ Major15B69 BPM
Misatango, Misa a Buenos Aires: VIII. Crucifixus by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: VIII. CrucifixusMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraC Minor25A92 BPM
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still by Richard Wagner, Kathrin Zukowski, KammerMusikKölnWesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe stillRichard Wagner, Kathrin Zukowski, KammerMusikKölnE♭ Major15B69 BPM
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk by Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen SzenkarHoffmanns Erzählungen: Prologue: Aus dem Becher kommt der TrunkJacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen SzenkarC Major38B75 BPM
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen by Richard Wagner, Kathrin Zukowski, KammerMusikKölnWesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, SchmerzenRichard Wagner, Kathrin Zukowski, KammerMusikKölnE♭ Major15B69 BPM
ISRC
DEXR11845199
Label
L-M Records/RCA Records

Section: 0.6401307582855225

End: 0.6439967155456543