- BPM
- 85
- Key
- D Major
- Camelot
- 10B
Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) - Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota Information
- Acousticness
- 96%
- Danceability
- 32%
- Energy
- 48%
- Instrumentalness
- 5%
- Liveness
- 25%
- Loudness
- 74%
- Speechiness
- 9%
- Valence
- 27%
- Popularity
- 2%
- Loudness
- -15.748 dB
Summary
Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota's 'Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio)' came out on August 26, 2008. The duration of Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 29 in Donizetti, G.: Roberto Devereux [Opera] (Bergamo Musica Festival, 2006) by Gaetano Donizetti, Marcello Rota. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) BPM
The tempo marking of Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) by Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | |
 | La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | |
 | Lucia di Lammermoor, Act II: Piange la madre estinta | Gaetano Donizetti, Stefano Antonucci, Zuzana Markova, Marcello Nardis, Mariano Buccino, Carlotta Vichi, Andrea Bocelli, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 5 | 10B | 78 BPM | |
 | Suor Angelica: Senza mamma, o bimbo, tu sei morto | Giacomo Puccini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 84 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | |
 | L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | |
 | Torna a Surriento (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | E Major | 2 | 12B | 83 BPM | |
 | Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Franco Corelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B Minor | 1 | 10A | 84 BPM |
- ISRC
- HKI190760502
- Label
- L-M Records/RCA Records
Section: 0.6111924648284912
End: 0.6158969402313232