"Siegfried: Act III Scene 3: Das ist kein Mann! (Siegfried)" by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. Since Siegfried: Act III Scene 3: Das ist kein Mann! (Siegfried) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 5 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Siegfried: Act III Scene 3: Das ist kein Mann! (Siegfried) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Siegfried: Act III Scene 3: Das ist kein Mann! (Siegfried) by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Tannhäuser / Act II: "Gar viel und schön" | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | C Major | 2 | 8B | 105 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Wagner: Tannhäuser, Act 1: "Naht euch dem Strande!" (Sirenen) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | E Major | 1 | 12B | 112 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM |
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