"Passione (Arr. Chiaramello)" by Nicola Valente, Ernesto Tagliaferri, Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna was released on January 1, 1985. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello's "Luciano Pavarotti - Passione" album is number 1 out of 12. The popularity of Passione (Arr. Chiaramello) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Passione (Arr. Chiaramello) by Nicola Valente, Ernesto Tagliaferri, Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) | Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Casanova: Nonnenchor und das Lied der Laura (Nuns' Chorus and Laura's Song) (Schanzer & Welisch) | Johann Strauss II, Lucia Popp, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM |
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