"Oboe d'amore Concerto in D Major: III. Largo" by Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay was released on January 1, 1993. The duration of Oboe d'amore Concerto in D Major: III. Largo is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Oboe d'amore Concerto in D Major: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Oboe Concertos - Stulick, M.N. / Graupner, C./ Forster, C. / Dittersdorf, C.D. Von". In this album, this song's track order is #6. Based on our statistics, Oboe d'amore Concerto in D Major: III. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe d'amore Concerto in D Major: III. Largo by Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Lóránt Kovács, Mária Frank, Zsuzsa Pertis, Franz Liszt Chamber Orchestra, Frigyes Sándor | B Minor | 2 | 10A | 123 BPM | ||
Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | ||
Antiochus und Stratonica, Act I Scene 4: Ein holder Blick entflammt die Brust | Christoph Graupner, Hana Blaziková, Capella Ansgarii, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | F Major | 1 | 7B | 109 BPM | ||
Concerto in F Major (arr. L. Lencses): II. Allegro | Lajos Lencsés, Gaetano Donizetti, Stuttgart Arcata Chamber Orchestra, Patrick Strub | F Major | 3 | 7B | 132 BPM | ||
Trumpet Sonata, Op. 3, No. 10: IV. Presto | Andrea Grossi, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) | Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 132 BPM | ||
Horn Concerto No. 1 in D Major, Hob. VIId:3: II. Adagio | Joseph Haydn, Michael Thompson, Philharmonia Orchestra | A Major | 0 | 11B | 75 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Sonata No. 41 in fa maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | G Major | 2 | 9B | 91 BPM | ||
Julius In D Major GWV 115 - Chaconne | Geneviève Soly, Christoph Graupner | D♭ Major | 1 | 3B | 71 BPM |
Section: 0.6447048187255859
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