On May 14, 2021, the song "Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie" was released by Johann Sebastian Bach, Lóránt Kovács, Mária Frank, Zsuzsa Pertis, Franz Liszt Chamber Orchestra, Frigyes Sándor. With Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "The Essential Classics: Introduction to Classical Music, Vol. 1". In this album, this song's track order is #1. Based on our statistics, Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Lóránt Kovács, Mária Frank, Zsuzsa Pertis, Franz Liszt Chamber Orchestra, Frigyes Sándor having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 3 in A Minor, BWV 827: VII. Gigue | Johann Sebastian Bach, Martin Helmchen | A Minor | 1 | 8A | 71 BPM | ||
Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | B♭ Minor | 5 | 3A | 113 BPM | ||
Keyboard Concerto No. 2 in A Major, BR JCFB C 30a; Warb YC 91 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Andante ma non troppo (Cadenza: Mayer) | Albrecht Mayer, Johann Christoph Friedrich Bach, Berliner Barock Solisten | F Major | 1 | 7B | 137 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
6 Sonates meleese de pieces, Op. 2: III. Sonata in E Minor, "La Dherouville”: II. Allemanda. Andante | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A Minor | 0 | 8A | 129 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Sonata in F Major, No. 4: III. Vivace | Arcangelo Corelli, Dénes Kovács, Ede Banda, Janos Sebestyen | E Minor | 1 | 9A | 125 BPM | ||
6 Concerts transcrits en sextuor / 4e concert: 1. La pantomime | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Concerto for 2 Trumpets, Strings and Continuo in E flat: 1. Maestoso | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, John Constable, Academy of St. Martin in the Fields, Iona Brown | E♭ Major | 2 | 5B | 96 BPM |
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