Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach made "Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia" available on December 22, 2006. The duration of Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 24 in Bach Edition Vol. 13, Keyboard Works Vol. II Part: 10 by Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor: II. Largo | Johann Rosenmüller, London Baroque | E♭ Minor | 2 | 2A | 78 BPM | ||
Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 3 In C Major: Allegro | Jaap Ter Linden, Rémy Baudet, Pieter-Jan Belder, Mike Fentross, Arcangelo Corelli | B♭ Major | 4 | 6B | 99 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini | C Minor | 0 | 5A | 86 BPM | ||
Concerto in D Major, Op. 6 No. 7: II. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 143 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: II. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 87 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
Concerto in D Major, Op. 6 No. 1: I. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM |
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