Cologne Chamber Orchestra, Georg Philipp Telemann made "Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave" available on November 15, 1999. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Telemann: Darmstadt Overtures (Suites)". In this album, this song's track order is #16. In terms of popularity, Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave by Cologne Chamber Orchestra, Georg Philipp Telemann having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": II. Largo - andante | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 108 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: III. Siciliana | Domenico Cimarosa, Alison Balsom, Scottish Ensemble | C Major | 1 | 8B | 101 BPM | ||
Sinfonia in D Major, (G. 8): I. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 4 | 10B | 113 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 140 BPM | ||
Deus judicium tuum, TWV 7:7: Benedictus Dominus, Deus Israel (Choir) | Georg Philipp Telemann, Barbara Schlick, Martina Lins, Christoph Prégardien, Stephen Varcoe, Hans-Georg Wimmer, Michael Schneider, Karl Kaiser, Hans-Peter Westermann, Pieter Dhont, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Major | 0 | 1B | 117 BPM | ||
Irene Sdegnata: Ouverture: Allegro | Alessandro Marcello, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 72 BPM | ||
Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro | George Frideric Handel, Marcel Ponseele, Il Gardellino | D♭ Minor | 2 | 12A | 119 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 122 BPM |
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