Pietro Mascagni, Enrico Caruso, Salvatore Cottone's 'Cavalleria rusticana: O Lola (Siciliana)' came out on June 8, 2001. The duration of Cavalleria rusticana: O Lola (Siciliana) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Cavalleria rusticana: O Lola (Siciliana)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Cavalleria rusticana: O Lola (Siciliana) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalleria rusticana: O Lola (Siciliana) by Pietro Mascagni, Enrico Caruso, Salvatore Cottone is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Pachelbel - Canon In D | Hollywood Symphony Orchestra | D Major | 1 | 10B | 102 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Libor Pešek | F Major | 1 | 7B | 87 BPM |
Section: 0.6405460834503174
End: 0.6441035270690918