Giovanni Mossi, Augusta McKay Lodge, Ezra Seltzer, Adam Cockerham, Elliot Figg's 'Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio' came out on October 9, 2020. The duration of Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio is about 3 minutes long, at 3:07. Based on our data, "Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 27 in Corelli's Band: Violin Sonatas by Augusta McKay Lodge, Adam Cockerham, Elliot Figg. Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Sonata in D Minor, Op. 1 No. 1: II. Allegro - Adagio by Giovanni Mossi, Augusta McKay Lodge, Ezra Seltzer, Adam Cockerham, Elliot Figg is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: II. Fuga | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 136 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Concerto Grosso in G Minor, Op. 4 No. 12: II. Allegro | Giovanni Mossi, Simon Standage, Collegium Musicum 90 | A Major | 1 | 11B | 71 BPM | ||
Vivaldi: Giustino, RV 717: Sinfonia, 2. Andante | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | A Major | 2 | 11B | 118 BPM | ||
Overture In G Minor: I. Ouverture | Johann Bernhard Bach, Ensemble Masques | G Major | 1 | 9B | 128 BPM | ||
Concerto in G minor, op.4, No. 12 (1726): 4. Allegro | Giovanni Mossi, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 79 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM |
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