"Martha: M'appari" by Friedrich von Flotow, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong was released on January 1, 2006. The duration of Martha: M'appari is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Martha: M'appari's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #13 out of 37 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Martha: M'appari is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Martha: M'appari by Friedrich von Flotow, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Martha: M'appari being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fatme, Akt II: "Neue Überraschungen" | Friedrich von Flotow, Das Orchester des Landessender Beromünster, Christian Köchting, Ingeborg Hallstein, Franz Crass, Ferry Gruber, Thomas Hemsley, Georg Stern | G Major | 3 | 9B | 107 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Rinaldo, HWV 7: "Lascia ch'io pianga" | Yvonne Kenny | E Major | 1 | 12B | 170 BPM | ||
Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 144 BPM | ||
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM | ||
Parlami d'amore Mariù | Cesare Andrea Bixio, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra | G Major | 2 | 9B | 79 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Voi Che Sapete - from 'Le Nozze Di Figaro' | Wolfgang Amadeus Mozart, Amira Willighagen, William Hayward | B♭ Major | 2 | 6B | 122 BPM | ||
The Last Rose of Summer | Friedrich von Flotow, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | F♯ Major | 1 | 2B | 72 BPM |
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