Cesare Andrea Bixio, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra's 'Parlami d'amore Mariù' came out on October 7, 2016. With this song being about 5 minutes long, at 4:40, "Parlami d'amore Mariù" by Cesare Andrea Bixio, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 18 in Dolce Vita by Jonas Kaufmann. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Parlami d'amore Mariù is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Parlami d'amore Mariù by Cesare Andrea Bixio, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es wird im Leben dir mehr genommen als gegeben (Heut´ ist der schönste Tag in meinem Leben) | Joseph Schmidt | A Minor | 4 | 8A | 95 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM | ||
Torna a Surriento | Ernesto de Curtis, Jonas Kaufmann, Asher Fisch | E Major | 2 | 12B | 85 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Wien, Du stadt meiner Träume (Wien, Wien, nur du allein) | Rudolf Sieczynski, Jonas Kaufmann, Ádám Fischer | G Major | 2 | 9B | 133 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Cantate con me | Cesare Andrea Bixio, Luciano Pavarotti, Andrea Griminelli, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B♭ Major | 3 | 6B | 86 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM |
Section: 0.6598484516143799
End: 0.6650035381317139