"Wagner: Lohengrin, Act 3: "Mir schwankt der Boden! Welche Nacht!" (Elsa, Lohengrin, Henry, Chorus)" by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, Peter Seiffert, René Pape, Staatskapelle Berlin was released on 1995. With this song being about 5 minutes long, at 5:24, "Wagner: Lohengrin, Act 3: "Mir schwankt der Boden! Welche Nacht!" (Elsa, Lohengrin, Henry, Chorus)" by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, Peter Seiffert, René Pape, Staatskapelle Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 101 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wagner: Lohengrin, Act 3: "Mir schwankt der Boden! Welche Nacht!" (Elsa, Lohengrin, Henry, Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Lohengrin, Act 3: "Mir schwankt der Boden! Welche Nacht!" (Elsa, Lohengrin, Henry, Chorus) by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, Peter Seiffert, René Pape, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Salome, Op. 54 / Scene 4: "Sie ist ein Ungeheuer, deine Tochter" | Richard Strauss, Cheryl Studer, Leonie Rysanek, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Major | 1 | 8B | 62 BPM | ||
Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | Gustav Mahler, René Kollo, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 56 BPM | ||
Verdi: Messa da Requiem: XIX. Libera me | Giuseppe Verdi, Carlo Maria Giulini, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra | B Minor | 1 | 10A | 137 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | F Major | 0 | 7B | 107 BPM | ||
Falstaff / Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Fidelio, Op. 72: Act I: March | Ludwig van Beethoven, Reiner Goldberg, Bulgarian National Svetoslav Obretenov Choir, Budapest Symphony Orchestra, Sofia Philharmonic Orchestra, Staatskapelle Berlin, Tamas Pal, Siegfried Kurz, Georgi Robev | D♭ Major | 0 | 3B | 62 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 1 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Symphony No. 8, Zweiter Teil: VIII. Wie Felsenabgrund mir zu Füßen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, John Relyea | B Major | 3 | 1B | 170 BPM | ||
Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM |
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