"Verdi: Messa da Requiem: XIX. Libera me" by Giuseppe Verdi, Carlo Maria Giulini, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra was released on January 1, 1964. Verdi: Messa da Requiem: XIX. Libera me is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Carlo Maria Giulini, Philharmonia Orchestra. The song's track number on the album is #19 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Verdi: Messa da Requiem: XIX. Libera me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem: XIX. Libera me by Giuseppe Verdi, Carlo Maria Giulini, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Messa da Requiem: XIX. Libera me being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mozart: Die Zauberflöte, K. 620: Ouverture (Adagio - Allegro) | Wolfgang Amadeus Mozart, Otto Klemperer, Philharmonia Orchestra | G Minor | 1 | 6A | 91 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Don Carlo - Highlights (1986 Digital Remaster): Canzone del velo 'Nel giardin del bello' (Eboli/Tebaldo/Dame) | Giuseppe Verdi, Montserrat Caballé, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini, Orch.Of Royal Opera House Covent Garden | A Major | 2 | 11B | 95 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 1 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Tannhäuser - Paris version / Act II: Dich, teure Halle, grüß ich wieder | Richard Wagner, Cheryl Studer, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 2 | 9B | 73 BPM | ||
Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Minor | 1 | 7A | 75 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 3 | 7B | 74 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM |
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