"Earth Vigil, Pt. 2 "Separation": No. 5, Hail, One Life!" by Robert Kyr, Conspirare, Craig Hella Johnson had its release date on June 21, 2024. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Earth Vigil, Pt. 2 "Separation": No. 5, Hail, One Life!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Robert Kyr: Earth Vigil". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Earth Vigil, Pt. 2 "Separation": No. 5, Hail, One Life!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Earth Vigil, Pt. 2 "Separation": No. 5, Hail, One Life! by Robert Kyr, Conspirare, Craig Hella Johnson having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Miks Ma Ei Tapa Ennast | Kamerkoor JIP, Diederik van der Laag, Imre Ploeg | D Minor | 3 | 7A | 122 BPM | ||
An Old Irish Blessing | Andrew Smith, Caritas Chamber Choir, Benedict Preece, Catherine Futcher | D Major | 1 | 10B | 87 BPM | ||
Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
Laudemus Virginem | Traditional, Choeur grégorien de Paris, Madrigal de Paris | F Major | 1 | 7B | 64 BPM | ||
Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | ||
De profundis clamavi | Piotr Janczak, Cantores Sancti Nicolai, Justyna Hanusiak | A Major | 1 | 11B | 79 BPM | ||
To Sing of Love - A Triptych: III. Generously | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
Can She Excuse My Wrongs à 4 | John Dowland, Les Joueurs de Traverse, Marc Mauillon, Christian Rivet | G Minor | 0 | 6A | 136 BPM | ||
Quis dabit oculis?: III. Ergo ululate pueri | Costanzo Festa, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 76 BPM |