Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann's 'Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 3, La fiera vista, SV 3' came out on July 23, 2021. The duration of Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 3, La fiera vista, SV 3 is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 3, La fiera vista, SV 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Nothing but Tuba". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 3, La fiera vista, SV 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 3, La fiera vista, SV 3 by Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book 8, SV 146–167: No. 16, Dolcissimo usignolo, SV 161 | Claudio Monteverdi, Cyril Costanzo, Hannah Morrison, Les Arts Florissants, Lucile Richardot, Miriam Allan, Paul Agnew | A Minor | 1 | 8A | 132 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM |
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